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Ago OM #12
Val di Fiemme spruce and Hawaiian koa, with an ebony fingerboard embellished with abalone inlays.
- Top
- Val di Fiemme spruce
- Back and sides
- Hawaiian koa
Every instrument begins with a design, a choice of tonewoods and countless hours at the workbench. Here are some of the guitars we've made, each with an identity of its own.
Explore the collectionOur Ago OM and Ago D shapes meet different woods, finishes and details. Every photograph shows a real instrument built by Mamera, with a dedicated page to explore its story and specifications.
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Val di Fiemme spruce and Hawaiian koa, with an ebony fingerboard embellished with abalone inlays.
02 / 08
Sitka spruce meets rosewood, finished with shellac and mother-of-pearl fingerboard inlays.
03 / 08
A Dreadnought with an Adirondack spruce top and European walnut back and sides.
04 / 08
Mahogany back and sides meet an Engelmann spruce top, finished with shellac.
05 / 08
Val di Fiemme spruce and Indian rosewood, with a gloss nitrocellulose finish.
06 / 08
A Dreadnought with a bearclaw Adirondack spruce top and Indian rosewood back and sides.
07 / 08
An Orchestra Model in Adirondack spruce and Indian rosewood, with a nitrocellulose finish.
08 / 08
An electric design featuring an alder body, figured maple top, maple neck and EMG pickups.
These are just a few of the guitars born in our workshop. Yours could begin with a conversation about the sound you're after and the music you want to make.